Debra Adelson

BFA, Tyler School of Art, 1996

Undergraduate Award in Metals

An image of  jewelry artist Debra Adelson in her booth at an art show.
An image of jewelry artist Debra Adelson wearing an apron, at he workbench about to set a gemstone.

I always knew, even from the earliest age, that I would be an artist. Crayons, paint, and glue were the main components of my childhood. At Tyler School of Art, I was introduced to the metals studio, and I was instantly hooked. Holding a jeweler’s saw in my hand for the first time, I knew I had found my passion. As a student, I focused on tableware as well as jewelry. I am a natural object maker. I am a sculptor intent on creating pieces that stand the test of time.

I began my career before ‘carbon footprint’ and ‘climate change’ were terms used in our everyday vernacular. For over a decade, I incorporated plastics into my work as a way to add color, but with the shift in the current global conversation weighing on my conscience, I felt my only option was to reinvent myself, and I began a quest to find a more sustainable material. Through years of experimentation, I have developed my own modified cold-working techniques where I sculpt glass that I make from a mix of new and upcycled materials to create richly colorful, luminescent, and opalescent pieces. My process starts with a rough block of optical glass and sheets of colored glass that I laminate together. I then cut it into my desired shape with a wet diamond saw, and sculpt the pieces using flat lapidary wheels which grind the glass with a combination of silicone carbide grit and water. I then engrave the surface of the glass using the centuries-old process of stone wheel engraving: a stone wheel is used on a slow-spinning lathe that is cooled by water. I then polish specific parts of the piece using pumice on a cork or felt wheel. With this unique process, I can achieve texture and implied movement to create a unique vision of nature within each piece. I create the settings by hand-fabricating sterling silver. My last step is to carefully set the glass and gems, then sign and copyright the finished piece. My goal is to create narrative pieces that tell a story. I seek to capture a fleeting beauty and subtly encourage the viewer to think about their own relationship to the natural world.